“The myth has been told and retold for centuries. Grief-stricken Orpheus travels to the underworld, where he learns he can rescue his wife, Eurydice—if he doesn’t look back on the way up. Now, we see the story through Eurydice’s eyes. City Lights’ innovative new production combines Sarah Ruhl’s strikingly fresh script with the beauty of American Sign Language, reflecting the characters’ efforts to communicate across worlds. A lush and moving tale about life, love and the enduring strength of memory.”
A unique production pairs actors as both mirrors of their voice (spoken and ASL) and their feelings and inner life reflecting the perspectives of the living and dead. The spoken actors interact with their ASL counters exposing their inner dialog, they also cross the boundary between characters. Layered on this is the unspoken language of Hades ruled by “An Interesting Man.” The Chorus of silent stones reflect he subtle sound scene of the environment. It highlights the metaphysical nature of both myth and existence. The doubled cast truly feel as one.
It truly is both a subtle and breathtaking interpretation of Sarah Ruhl‘s play as directed by Lisa Mallette. We know Sarah Ruhl from other plays like the The Melancholy Play, Orlando, and The Room with a View or Vibrator Play.
Euridice! What struck me at the heart? It is the feeling, the memory of the ecstasy of love imbued with the confusion that are all part of youth. And obviously there is the fear of loss, mortality striking at any time, and returning in a moment of weakness. The yearning and redemption of true faithfulness and trust – a path of salvation both between lovers, and father and daughter. And yet it all has to find its end in forgetting, losing your voice, oblivion, and peace – death.
Our journey is but short and predetermined, but glorious if lived with passion and mindfulness.
The play left me rejoicing in (a few) tears.
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